At the crossroads of the body and the object, Bérangère Vantusso revisits a classic of the theatre of the absurd. As burlesque as it is tragic... A rhinoceros bursts into a small town, causing panic. One rhino? No, two, then three... a veritable tidal wave. Confusion reigns. Should you give in to this epidemic of rhinoceritis and become a pachyderm yourself? An emblematic piece of theatre of the absurd, Eugène Ionesco's fable has the reputation of being a "vigilant" text in the face of the rise of fascism. A memory that was still vivid when it was first performed in 1960. But what about today? In a tightly-packed version, Bérangère Vantusso virtuously choreographs her characters as burlesque subjects projected into an abstract universe of proliferating objects: finely manipulated white cubes that represent everything from a rhinoceros to a bed or a television. They also form high walls, a splendid scenography, which gradually close in as if to stifle any hint of resistance. With our consent? A parable about freedom to ponder without delay...