We find in No idea the talent of Christoph Marteler: master of irony and offbeat humor. He invented a very unique scenic poetry and each of his pieces carries an innovative aesthetic, always anchoring situations in everyday settings. No idea escapes it: in a series of corridors and doors, the cellist Zeller sometimes appears, sometimes Valentine in countless roles and costumes.
“Without really telling stories, the play rather shows situations, as furtive as they are deeply enjoyable, impossible to narrate, so much do they present themselves as sometimes disjointed, unexplained, insane snapshots where we find all the comic springs of a singular universe. » Christophe Candoni – Sceneweb
