Using a deliberately restrained, sparing choreographic vocabulary, Ayelen Parolin launches three performers into an astonishing game of rhythm and construction, at once repetitive and ever-shifting, constantly redistributed, restructured and re-imagined.
A game in which the unfinished and the restarted are the basic rules. A labyrinthine game. A musical game? without music. For in SIMPLE, the choreographer deprived herself of one of her principal partners in the game. And since there is no music, it's up to the bodies she brings on stage to invent, imagine and perform it. In search of a vital pulse. With the power and deeply human sincerity of the idiot, the naive, the child? where everything is (still) possible.
In barely an hour, the trio produce a concentrate of self-mockery driven entirely by pleasure and freedom? Funny and jubilant!
